This is the hardest seascape composition for me. Our spectacular Sonoma Coast is so beautiful to see and SO hard to paint. After all Nature has hundreds of miles to place her stuff and I only have a few inches.
There's a lot to handle, no two shapes should be alike, and each time a rock is placed it affects all the others, the logical mind wants to line up all the edges, points the ends, and forgets perspective, and then that makes the shapes between like runways. Notice everything in Nature is different, no 2 leaves an a tree of thousands is exactly alike, and neither are the rocks. Our eye is always after novelty an grows bored very easliy, so on a painting it's important to keep that variety. Every time a rock is placed it means carefully looking to see how it affects the overall space relationships. There are 19 rocks in this work each took quite some time to get the shape and exact place it needed to be.
There is a lot to get right, and only practice can give the painter the skills needed to do it.
In the first drawing you see the orange pastel pencil I use to compose, it easily rubs off for changes.
Next is the bright underpainting that helps me check out the shapes over all
Then the rocks are blocked in